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NUCLEAR FAMILY 19769
THE MAGICALALPHABET
THIS IS THE SCENE OF THE SCENE UNSEEN THE UNSEEN SEEN OF THE SCENE UNSEEN THIS IS THE SCENE
THE DIVINE COMEDY OF DANTE ALIGHIERI (1265-1321) THE FLORENTINE CANTICA I HELL (L'INFERNO) INTRODUCTION Page 9 "Midway this way of life we're bound upon I woke to find myself in a dark wood, Where the right road was wholly lost and gone."
THE DIVINE COMEDY OF DANTE ALIGHIERI (1265-1321) THE FLORENTINE CANTICA I HELL (L'INFERNO) INTRODUCTION Page 9 "Power failed high fantasy here; yet, swift to move Even as a wheel moves equal, free from jars, Already my heart and will were wheeled by love, The Love that moves the sun and other stars."
THE FAR YONDER SCRIBE AND OFT TIMES SHADOWED SUBSTANCES WATCHED IN FINE AMAZE THE ZED ALIZ ZED IN SWIFT REPEAT SCATTER STAR DUST AMONGST THE LETTERS OF THEIR PROGRESS AT THE THROW OF THE NINTH NUMBER WHEN IN CONJUNCTION SET THE FAR YONDER SCRIBE MADE RECORD OF THEIR FALL
THE HERMETICA THE LOST WISDOM OF THE PHARAOHS Timothy Freke & Peter Gandy To the Memory of Giordano Bruno 1548 - 1600 Mundus Nihil Pulcherrimum The World is a Beautiful Nothing Page 23 "Although we have used the familiar term 'God' in the explanatory notes which accompany each chapter, we have avoided this term in the text itself. Instead we have used 'Atum - one of the ancient Egyptian names for the Supreme One God."
Page 45 The Being of Atum "Atum is Primal Mind." Page 45 The Being of Atum Give me your whole awareness, and concentrate your thoughts, for Knowledge of Atum's Being requires deep insight, which comes only as a gift of grace. It is like a plunging torrent of water whose swiftness outstrips any man who strives to follow it, leaving behind not only the hearer, but even the teacher himself. To conceive of Atum is difficult. To define him is impossible. The imperfect and impermanent cannot easily apprehend the eternally perfected. Atum is whole and conconstant. In himself he is motionless, yet he is self-moving. He is immaculate, incorruptible and ever-lasting. He is the Supreme Absolute Reality. He is filled with ideas which are imperceptible to the senses, and with all-embracing Knowledge. Atum is Primal Mind. Page 46 He is too great to be called by the name 'Atum'. He is hidden, yet obvious everywhere. His Being is known through thought alone, yet we see his form before our eyes. He is bodiless, yet embodied in everything. There is nothing which he is not. He has no name, because all names are his name. He is the unity in all things, so we must know him by all names and call everything 'Atum'. He is the root and source of all. Everything has a source, except this source itself, which springs from nothing. Atum is complete like the number one, which remains itself whether multiplied or divided, and yet generates all numbers. Atum is the Whole which contains everything. He is One, not two. He is All, not many. The All is not many separate things, but the Oneness that subsumes the parts. The All and the One are identical. You think that things are many when you view them as separate, but when you see they all hang on the One, /Page 47/ and flow from the One, you will realise they are unitedlinked together, and connected by a chain of Being from the highest to the lowest, all subject to the will of Atum. The Cosmos is one as the sun is one, the moon is one and the Earth is one. Do you think there are many Gods? That's absurd - God is one. Atum alone is the Creator of all that is immortal, and all that is mutable. If that seems incredible, just consider yourself. You see, speak, hear, touch, taste, walk, think and breathe. It is not a different you who does these various things, but one being who does them all. To understand how Atum makes all things, consider a farmer sowing seeds;
here wheat - there barley, Just as the same man plants all these seeds, so Atum sows immortality in heaven and change on Earth. Throughout the Cosmos he disseminates Life and movementthe two great elements that comprise Atum and his creation, and so everything that is. Page 48 Atum is called 'Father' because he begets all things, and, from his example, the wise hold begetting children the most sacred pursuit of human life. Atum works with Nature, within the laws of Necessity, causing extinction and renewal, constantly creating creation to display his wisdom. Yet, the things that the eye can see are mere phantoms and illusions. Only those things invisible to the eye are real. Above all are the ideas of Beauty and Goodness. Just as the eye cannot see the Being of Atum, so it cannot see these great ideas. They are attributes of Atum alone, and are inseparable from him. They are so perfectly without blemish that Atum himself is in love with them. There is nothing which Atum lacks, so nothing that he desires. There is nothing that Atum can lose, so nothing can cause him grief. Atum is everything. Atum makes everything, and everything is a part of Atum. Atum, therefore, makes himself. This is Atum's glory - he is all-creative, and this creating is his very Being. It is impossible for him ever to stop creatingfor Atum can never cease to be. Page 49 Atum is everywhere. Mind cannot be enclosed, because everything exists within Mind. Nothing is so quick and powerful. Just look at your own experience. Imagine yourself in any foreign land, and quick as your intention you will be there! Think of the ocean - and there you are. You have not moved as things move, but you have travelled, nevertheless. Fly up into the heavens - you won't need wings! Nothing can obstruct you - not the burning heat of the sun, or the swirling planets. Pass on to the limits of creation. Do you want to break out beyond the boundaries of the Cosmos? For your mind, even that is possible. Can you sense what power you possess? If you can do all this, then what about your Creator? Try and understand that Atum is Mind. This is how he contains the Cosmos. All things are thoughts which the Creator thinks."
THE CITY OF REVELATION John Michell 1972 Gnostic Numbers Page 118 "Exactly how they came by their science of numbers is not certain, but they appear to have made the discovery that the numerical code of the Hebrew cabala and those of other mystical systems throughout the world were all degenerate versions of the same once universal system of knowledge that returns within the reach of human perception at certain intervals in time. As the revealed books of the Old Testament were written in a code to be interpreted by reference to number, so were the revelations of the gnostic prophets expressed in words and phrases formed on a system of proportion, which gave life and power to the Christian myth, while allowing initiates to gain a further understanding of the balance of forces that produce the world of phenomena." Page 121 / How it was ever supposed that the Hebrew alphabet of twenty- two letters, together with various geometrical symbols might serve to represent the entire moving pattern of the universe is not now easy to understand; but, since all ancient philosophy, religion, magic, the arts and sciences were based on the concept of a correspondence between numbers and cosmic law, it is impossible to appreciate the history of the past without some actual experience of the fundamental truth behind this approach to cosmology. Plato gives a remarkable account in Cratylos of the origin of language and letters. The philosopher is asked whether there is any particular significance in names, for surely they are simply a matter of convention and one is more or less as good as another. After all, foreigners call things by different names and appear to manage just as well as the Greeks in this respect. The answer given is that despite appearances the matter is by no means so simple. Words are the tools of expression, and the making of these, as of any other tools, is the task of a skilled craftsman, in this case the lawgiver. Language has grown corrupt over the ages, and names have deviated from their original perfect forms, which are those used by the gods. But all names were originally formed on certain principles, through knowledge of which it is possible to discover the archetypal meaning of words in current use. 'So perhaps the man who knows about names considers their value and is not confused if some letter is added, transposed or subtracted, or even if the force of the name is expressed in quite different letters.' This is Plato's clearest reference to the mystical science of the cabala, in which letters, words and whole phrases may be substituted for others of the same numerical value. The force of a name is to be found in its number, and can be expressed through any combination of letters, provided the sum of the letters amounts to the appropriate number by gematria.
CODE DE CODE C+O D+E D+E C+O D+E 9+9+9+9+9 C+O D+E D+E C+O D+E CODE DE CODE
ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE R+HREE+OU+R+I+VE+I+EV+I+I ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE
ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE R+HREE+OU+R+I+VE+I+EV+I+I ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE
85R6 655 256 2HREE 6OUR 6IVE 1I6 1EV55 5I782 5I55 R+HREE+OU+R+I+VE+I+EV+I+I ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE R+HREE+OU+R+I+VE+I+EV+I+I 85R6 655 256 2HREE 6OUR 6IVE 1I6 1EV55 5I782 5I55
ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE 8596 655 256 28955 6639 6945 196 15455 59782 5955 R+HREE+OU+R+I+VE+I+EV+I+I 8596 655 256 28955 6639 6945 196 15455 59782 5955 ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE
ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE 9+8+9+5+5+6+3+9+9+4+5+9+5+4+9+9 9+8+9+5+5+6+3+9+9+4+5+9+5+4+9+9 ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE
ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE 8596 655 256 28955 6639 6945 196 15455 59782 5955 7x9 = 63 36 = 9x7 8596 655 256 28955 6639 6945 196 15455 59782 5955 ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE
ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE ZEO ONE TWO T F F SX SEN EGHT NNE Z+E+O+ O+N+E+T+W+O+T+F+F+S+X+S+E+N+ E+G+H+T+N+N+E 8+5+6+6+5+5+2+5+6+2+6+6+1+6+1+5+5+5+7+8+2+5+5+5 Z+E+O+ O+N+E+T+W+O+T+F+F+S+X+S+E+N+ E+G+H+T+N+N+E ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE
ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE 8596 655 256 28955 6639 6945 196 15455 59782 5955 R HREE OUR IVE I EV I I R+H+R+E+E+O+U+R+I+V+E+I+E+V+I+I 9+8+9+5+5+6+3+9+9+4+5+9+5+4+9+9 R+H+R+E+E+O+U+R+I+V+E+I+E+V+I+I R HREE OUR IVE I EV I I 8596 655 256 28955 6639 6945 196 15455 59782 5955 ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE
WORK DAYS OF GOD Herbert W Morris D.D.circa 1883 Page 22 "As all the words in the English language are composed out of the twenty-six letters of the alphabet,.."
LIGHT AND LIFE Lars Olof Bjorn 1976 Page 197 "By writing the 26 letters of the alphabet in a certain order one may put down almost any message (this book 'is written with the same letters' as the Encyclopaedia Britannica and Winnie the Pooh, only the order of the letters differs). In the same way Nature is able to convey with her language how a cell and a whole organism is to be constructed and how it is to function. Nature has succeeded better than we humans; for the genetic code there is only one universal language which is the same in a man, a bean plant and a bacterium." "BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER ONE MAY PUT DOWN ALMOST ANY MESSAGE"
"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER ONE MAY PUT DOWN ALMOST ANY MESSAGE"
A HISTORY OF GOD Karen Armstrong 1993 The God of the Mystics Page 250 "Perhaps the most famous of the early Jewish mystical texts is the fifth century Sefer Yezirah (The Book of Creation). There is no attempt to describe the creative process realistically; the account is unashamedly symbolic and shows God creating the world by means of language as though he were writing a book. But language has been entirely transformed and the message of creation is no longer clear. Each letter of the Hebrew alphabet is given a numerical value; by combining the letters with the sacred numbers, rearranging them in endless configurations, the mystic weaned his mind away from the normal connotations of words."
THIS IS THE SCENE OF THE SCENE UNSEEN THE UNSEEN SEEN OF THE SCENE UNSEEN THIS IS THE SCENE
THE FAR YONDER SCRIBE AND OFT TIMES SHADOWED SUBSTANCES WATCHED IN FINE AMAZE THE ZED ALIZ ZED IN SWIFT REPEAT SCATTER STAR DUST AMONGST THE LETTERS OF THEIR PROGRESS AT THE THROW OF THE NINTH RAM WHEN IN CONJUNCTION SET THE FAR YONDER SCRIBE MADE RECORD OF THEIR FALL
NUMBER 9 THE SEARCH FOR THE SIGMA CODE Cecil Balmond 1998 Cycles and Patterns Page 165 Patterns "The essence of mathematics is to look for patterns. Our minds seem to be organised to search for relationships and sequences. We look for hidden orders. These intuitions seem to be more important than the facts themselves, for there is always the thrill at finding something, a pattern, it is a discovery - what was unknown is now revealed. Imagine looking up at the stars and finding the zodiac! Searching out patterns is a pure delight. Suddenly the counters fall into place and a connection is found, not necessarily a geometric one, but a relationship between numbers, pictures of the mind, that were not obvious before. There is that excitement of finding order in something that was otherwise hidden. And there is the knowledge that a huge unseen world lurks behind the facades we see of the numbers themselves."
FINGERPRINTS OF THE GODS A QUEST FOR THE BEGINNING AND THE END Graham Hancock 1995 Chapter 32 Speaking to the Unborn Page 285 "It is understandable that a huge range of myths from all over the ancient world should describe geological catastrophes in graphic detail. Mankind survived the horror of the last Ice Age, and the most plausible source for our enduring traditions of flooding and freezing, massive volcanism and devastating earthquakes is in the tumultuous upheavals unleashed during the great meltdown of 15,000 to 8000 BC. The final retreat of the ice sheets, and the consequent 300-400 foot rise in global sea levels, took place only a few thousand years before the beginning of the historical period. It is therefore not surprising that all our early civilizations should have retained vivid memories of the vast cataclysms that had terrified their forefathers. A message in the bottle of time" 'Of all the other stupendous inventions,' Galileo once remarked, what sublimity of mind must have been his who conceived how to communicate his most secret thoughts to any other person, though very distant either in time or place, speaking with those who are in the Indies, speaking to those who are not yet born, nor shall be this thousand or ten thousand years? And with no greater difficulty than the various arrangements of two dozen little signs on paper? Let this be the seal of all the admirable inventions of men.3 If the 'precessional message' identified by scholars like Santillana, von Dechend and Jane Sellers is indeed a deliberate attempt at communication by some lost civilization of antiquity, how come it wasn't just written down and left for us to find? Wouldn't that have been easier than encoding it in myths? Perhaps. "What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them" "WRITTEN IN THE ETERNAL LANGUAGE OF MATHEMATICS"
A MAZE IN ZAZAZA ENTER AZAZAZ AZAZAZAZAZAZAZZAZAZAZAZAZAZA ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ THE MAGICALALPHABET ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA 12345678910111213141516171819202122232425262625242322212019181716151413121110987654321
THE LIGHT IS RISING RISING IS THE LIGHT
THE DEATH OF GODS IN ANCIENT EGYPT Jane B. Sellars 1992 Page 204 "The overwhelming awe that accompanies the realization, of the measurable orderliness of the universe strikes modern man as well. Admiral Weiland E. Byrd, alone In the Antarctic for five months of polar darkness, wrote these phrases of intense feeling: Here were the imponderable processes and forces of the cosmos, harmonious and soundless. Harmony, that was it! I could feel no doubt of oneness with the universe. The conviction came that the rhythm was too orderly. too harmonious, too perfect to be a product of blind chance - that, therefore there must be purpose in the whole and that man was part of that whole and not an accidental offshoot. It was a feeling that transcended reason; that went to the heart of man's despair and found it groundless. The universe was a cosmos, not a chaos; man was as rightfully a part of that cosmos as were the day and night.10 Returning to the account of the story of Osiris, son of Cronos god of' Measurable Time, Plutarch takes, pains to remind the reader of the original Egyptian year consisting of 360 days. Phrases are used that prompt simple mental. calculations and an attention to numbers, for example, the 360-day year is described as being '12 months of 30 days each'. Then we are told that, Osiris leaves on a long journey, during which Seth, his evil brother, plots with 72 companions to slay Osiris: He also secretly obtained the measure of Osiris and made ready a chest in which to entrap him. The, interesting thing about this part of the-account is that nowhere in the original texts of the Egyptians are we told that Seth, has 72 companions. We have already been encouraged to equate Osiris with the concept of measured time; his father being Cronos. It is also an observable fact that Cronos-Saturn has the longest sidereal period of the known planets at that time, an orbit. of 30 years. Saturn is absent from a specific constellation for that length of time. A simple mathematical fact has been revealed to any that are even remotely sensitive to numbers: if you multiply 72 by 30, the years of Saturn's absence (and the mention of Osiris's absence prompts one to recall this other), the resulting product is 2,160: the number of years required, for one 30° shift, or a shift: through one complete sign of the zodiac. This number multplied by the /Page205 / 12 signs also gives 25,920. (And Plutarch has reminded us of 12) If you multiply the unusual number 72 by 360, a number that Plutarch mentions several times, the product will be 25,920, again the number of years symbolizing the ultimate rebirth. This 'Eternal Return' is the return of, say, Taurus to the position of marking the vernal equinox by 'riding in the solar bark with. Re' after having relinquished this honoured position to Aries, and subsequently to the to other zodiacal constellations. Such a return after 25,920 years is indeed a revisit to a Golden Age, golden not only because of a remarkable symmetry In the heavens, but golden because it existed before the Egyptians experienced heaven's changeability. But now to inform the reader of a fact he or she may already know. Hipparaus did: not really have the exact figures: he was a trifle off in his observations and calculations. In his published work, On the Displacement of the Solstitial and Equinoctial Signs, he gave figures of 45" to 46" a year, while the truer precessional lag along the ecliptic is about 50 seconds. The exact measurement for the lag, based on the correct annual lag of 50'274" is 1° in 71.6 years, or 360° in 25,776 years, only 144 years less than the figure of 25,920. With Hipparchus's incorrect figures a 'Great Year' takes from 28,173.9 to 28,800 years, Incorrect by a difference of from 2,397.9 years to 3,024. Since Nicholas Copernicus (AD 1473-1543) has always been credited with giving the correct numbers (although Arabic astronomer Nasir al-Din Tusi,11 born AD 1201, is known to have fixed the Precession at 50°), we may correctly ask, and with justifiable astonishment 'Just whose information was Plutarch transmitting' AN IMPORTANT POSTSCRIPT Of course, using our own notational system, all the important numbers have digits that reduce to that amazing number 9 a number that has always delighted budding mathematician. Page 206 Somewhere along the way, according to Robert Graves, 9 became the number of lunar wisdom.12 This number is found often in the mythologies of the world. the Viking god Odin hung for nine days and nights on the World Tree in order to acquire the secret of the runes, those magic symbols out of which writing and numbers grew. Only a terrible sacrifice would give away this secret, which conveyed upon its owner power and dominion over all, so Odin hung from his neck those long 9 days and nights over the 'bottomless abyss'. In the tree were 9 worlds, and another god was said to have been born of 9 mothers. Robert Graves, in his White Goddess, Is intrigued by the seemingly recurring quality of the number 72 in early myth and ritual. Graves tells his reader that 72 is always connected with the number 5, which reflects, among other things, the five Celtic dialects that he was investigating. Of course, 5 x 72= 360, 360 x 72= 25,920. Five is also the number of the planets known to the ancient world, that is, Saturn, Jupiter, Mars, Venus Mercury. Graves suggests a religious mystery bound up with two ancient Celtic 'Tree Alphabets' or cipher alphabets, which as genuine articles of Druidism were orally preserved and transmitted for centuries. He argues convincingly that the ancient poetry of Europe was ultimately based on what its composers believed to be magical principles, the rudiments of which formed a close religious secret for centuries. In time these were-garbled, discredited and forgotten. Among the many signs of the transmission of special numbers he points out that the aggregate number of letter strokes for the complete 22-letter Ogham alphabet that he is studying is 72 and that this number is the multiple of 9, 'the number of lunar wisdom'. . . . he then mentions something about 'the seventy day season during which Venus moves successively from. maximum eastern elongation 'to inferior conjunction and maximum western elongation'.13 Page 207 "...Feniusa Farsa, Graves equates this hero with Dionysus Farsa has 72 assistants who helped him master the 72 languages created at the confusion of Babel, the tower of which is said to be built of 9 different materials We are also reminded of the miraculous translation into Greek of the Five Books of Moses that was done by 72 scholars working for 72 days, Although the symbol for the Septuagint is LXX, legend, according to the fictional letter of Aristeas, records 72. The translation was done for Ptolemy Philadelphus (c.250 BC), by Hellenistic Jews, possibly from Alexandra.14 Graves did not know why this number was necessary, but he points out that he understands Frazer's Golden Bough to be a book hinting that 'the secret involves the truth that the Christian dogma, and rituals, are the refinement of a great body of primitive beliefs, and that the only original element in Christianity- is the personality of Christ.15 Frances A. Yates, historian of Renaissance hermetisma tells, us the cabala had 72 angels through which the sephiroth (the powers of God) are believed to be approached, and further, she supplies the information that although the Cabala supplied a set of 48 conclusions purporting to confirm the Christian religion from the foundation of ancient wisdom, Pico Della Mirandola, a Renaissance magus, introduced instead 72, which were his 'own opinion' of the correct number. Yates writes, 'It is no accident there are seventy-two of Pico's Cabalist conclusions, for the conclusion shows that he knew something of the mystery of the Name of God with seventy-two letters.'16 In Hamlet's Mill de Santillana adds the facts that 432,000 is the number of syllables in the Rig-Veda, which when multiplied by the soss (60) gives 25,920" (The reader is forgiven for a bit of laughter at this point) The Bible has not escaped his pursuit. A prominent Assyriologist of the last century insisted that the total of the years recounted Joseph Campbell discerns the secret in the date set for the coming of Patrick to Ireland. Myth-gives this date-as-the interest- ing number of AD.432.18 Whatever one may think-of some of these number coincidences, it becomes. difficult to escape the suspicion that many signs (number and otherwise) -indicate that early man observed the results of the movement of Precession and that the transmission of this information was considered of prime importance. 'With the awareness of the phenomenon, observers would certainly have tried for its measure, and such an endeavour would But one last word about mankind's romance with number coincidences.The antagonist in John Updike's novel, Roger's Version, is a computer hacker, who, convinced.,that scientific evidence of God's existence is accumulating, endeavours to prove it by feeding -all the available scientific information. into a comuter. In his search for God 'breaking, through', he has become fascinated by certain numbers that have continually been cropping up. He explains them excitedly as 'the terms of Creation': "...after a while I noticed that all over the sheet there seemed to hit these twenty-fours Jumping out at me. Two four; two,four.Planck time, for instance, divided by the radiation constant yields a figure near eight times ten again to the negative twenty-fourth, and the permittivity of free space, or electric constant, into the Bohr radiusekla almost exactly six times ten to the negative twenty-fourth. On positive side, the electromagnetic line-structure constant times Hubble radius - that is, the size of the universe as we now perceive it gives us something quite close to ten to the twenty-fourth, and the
strong-force constant times the charge on the proton produces two point four times ten to the negative eighteenth, for another I began to circle twenty-four wherever it appeared on the Printout here' - he held it up. his piece of striped and striped wallpaper, decorated / Page 209 /
with a number of scarlet circles - 'you can see it's more than random.'19 So much for any scorn directed to ancient man's fascination with number coincidences. That fascination is alive and well, Just a bit more incomprehensible"
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
THE GOD CODE - 50 = THE GOD CODE CIRCLE = 50 = CIRCLE
OF TIME AND STARS Arthur C. Clarke 1972 FOREWORD "'Into the Comet' and 'The Nine Billion Names of God' both involve computers and the troubles they may cause us. While writing this preface, I had occasion to call upon my own HP 9100A computer, Hal Junior, to answer an interesting question. Looking at my records, I find that I have now written just about one hundred short stories. This volume contains eighteen of them: therefore, how many possible 18-story collections will I be able to put together? The answer as I am sure will be instantly obvious to you - is 100 x 99. . . x 84 x 83 divided by 18 x 17 x 16 ... x .2 x 1. This is an impressive number - Hal Junior tells me that it is approximately 20,772,733,124,605,000,000.
Page 15 The Nine Billion Names of God 'This is a slightly unusual request,' said Dr Wagner, with what he hoped was commendable restraint. 'As far as I know, it's the first time anyone's been asked to supply a Tibetan monastery with an Automatic Sequence Computer. I don't wish to be inquisitive, but I should hardly have thought that your - ah - establishment had much use for such a machine. Could you explain just what you intend to do with it?' Page16 'We have reason to believe,' continued the lama imperturbably, 'that all such names can be written with not more than nine letters in an alphabet we have devised.' Page 68 Into the Comet
I SAY THREAD THAT THREAD THREAD READ DEATH DEATH READ THREAD THREAD R DEATH DEATH R THREAD THREAD READ DEAR THREAD
THE NEW ELIZABETHAN REFERENCE DICTIONARY An up-to-date vocabulary of the living English language Circa 1900 FOURTH EDITION Page 1472 thread (thred) [A.-S. thraed, from thrawan, to THROW (cp. Dut. draad, G. draht, Icel. thrathr)], n. A slender cord consisting of two or more yarns doubled or twisted ; a single filament of cotton, silk, wool, etc., esp. Lisle thread ; anything resembling this ; a fine line of colour etc. ; a thin seam or vein ; the spiral on a screw ; (fig.) a continuous course (of life etc.). v.t. To pass a thread through the eye or aperture of ; to string (beads etc.) on a thread ; (fig.) to pick (one's way) or to go through an intricate or crowded place, etc. ; to streak (the hair) with grey etc. ; to cut a thread on (a screw). thread and thrum : Good and bad together, all alike. threadbare, a. Worn so that the thread is visible, having the nap worn off ; (fig.) worn, trite, hackneyed. threadbareness, n. thread-mark, n. A mark produced by coloured silk fibres in banknotes to prevent counterfeiting. thread-paper, n. Soft paper for wrapping up thread, thread-worm, n. A thread-like nematode worm, esp. one infesting the rectum of children. threader, n. threadlike, a. and adv. thready, a. threadiness, n.
THE NEW ELIZABETHAN REFERENCE DICTIONARY An up-to-date vocabulary of the living English language FOURTH EDITION Circa 1900 Page 1472 thread (thred) [A.-S. thraed, from thrawan, to THROW (cp. Dut. draad, G. draht, Icel. thrathr)], n. A slender cord consisting of two or more yarns doubled or twisted ; a single filament of cotton, silk, wool, etc., esp. Lisle thread ; anything resembling this ; a fine line of colour etc. ; a thin seam or vein ; the spiral on a screw ; (fig.) a continuous course (of life etc.). v.t. To pass a thread through the eye or aperture of ; to string (beads etc.) on a thread ; (fig.) to pick (one's way) or to go through an intricate or crowded place, etc. ; to streak (the hair) with grey etc. ; to cut a thread on (a screw). thread and thrum : Good and bad together, all alike. threadbare, a. Worn so that the thread is visible, having the nap worn off ; (fig.) worn, trite, hackneyed. threadbareness, n. thread-mark, n. A mark produced by coloured silk fibres in banknotes to prevent counterfeiting. thread-paper, n. Soft paper for wrapping up thread, thread-worm, n. A thread-like nematode worm, esp. one infesting the rectum of children. threader, n. threadlike, a. and adv. thready, a. threadiness, n.
lisle thread: lisle thread A strong tightly twisted cotton thread (usually made of long-staple cotton) - lisle. Derived forms: lisle threads. Type of: cotton. Nearest ... www.wordwebonline.com/en/LISLETHREAD
Definition - of Lisle from Dictionary.net Lisle thread, a hard twisted cotton thread, originally produced at Lisle. Source: Webster's Revised Unabridged Dictionary (1913) ... www.dictionary.net/lisle - 9k
CASSELL'S ENGLISH DICTIONARY 1974 Lisle thread (lil thred) [ town in France, now Lille], n, A fine, hard thread orig. made at Lille.
LIFE HANGING BY A THREAD
THE LIGHT IS RISING RISING IS THE LIGHT
I ME TIME O TIME THE CLOCKS ALL SAY THAT THE HOURS OF HORUS HAVE ARRIVED UPON US THE SCATTERED DICE ALL READ FIVE GODS NUMBERS NUMBERS GODS ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE ZE R O, T H+R+E+E, F, O+U, R, F I V+E, S I X, S, E+V, N, E, I, GHT, N, I, NE, = 9,9,9,9,9,9,9,9,9,9
GODS OF NUMBERS NUMBERS OF GODS GOD GO DO GOOD GOOD DO GO GOD GODGODOGOOD GOODDOGOGOD
EVOLVE LOVE EVOLVED LOVE IS LOVE EVOLVED LOVE EVOLVE LOVE THE LIGHT THE LIGHT IS LOVE IS LIGHT THE LIGHT THE LOVE LOVE ALL SENTIENT BEINGS BEINGS SENTIENT ALL LOVE ALL SENTIENT LIFE ART THOU THAT I THAT ME THAT I THOU ART LIFE SENTIENT ALL
I ME ART THOU ART THAT ART THOU CREATORS ALL ALL CREATORS THAT ART THOU THOU ART THAT GOD SPIRIT ART THOU THOU ART GOD SPIRIT MIND MATTER SPIRIT GOD SPIRIT MATTER MIND THOU ART UNIVERSAL MIND GODS UNIVERSAL MIND ART THOU
Prakrti or Prakriti (from Sanskrit language प्रकृ्रति, prakṛti) is, ... Devi Prakriti Shakti in the context of Shaktis as forces unifies Kundalini, ... en.wikipedia.org/wiki/Prakrti Prakrti From Wikipedia Prakrti or Prakriti (from Sanskrit language प्रकृ्रति, prakṛti) is, according to Vedanta philosophy, the basic matter of which the Universe consists. It is composed of the three gunas or modes, known as tamas (ignorance), rajas (passion) and sattva (goodness).
It is described in Bhagavad Gita as an inferior type of energy to the living beings (jivas), and to the Supreme Person (Paramatma or Bhagavan). It is closely associated with the concept of Maya within Vedic scripture.
Devi Prakriti Shakti in the context of Shaktis as forces unifies Kundalini, Kriya, Itcha, Para, Jnana, Mantrika Shaktis. Each is in a chakra.
Prakriti also means nature. Nature can be described as environment. It can also be used to denote the 'feminine' in sense of the 'male' being the purusha.
According to ayurveda our body is made up of three doshas kapha, pitta, vayu. The balance or imbalance of these doshas defines the prakriti of our body (besides Devi Prakriti in sahasrara chakra.)
Prakrti or Prakriti (from Sanskrit language प्रकृ्रति, prakṛti) is, ... Devi Prakriti Shakti in the context of Shaktis as forces unifies Kundalini, ... en.wikipedia.org/wiki/Prakrti
Prakrti From Wikipedia
Jump to: navigation, search
Prakrti or Prakriti (from Sanskrit language प्रकृ्रति, prakṛti) is, according to Vedanta philosophy, the basic matter of which the Universe consists. It is composed of the three gunas or modes, known as tamas (ignorance), rajas (passion) and sattva (goodness).
It is described in Bhagavad Gita as an inferior type of energy to the living beings (jivas), and to the Supreme Person (Paramatma or Bhagavan). It is closely associated with the concept of Maya within Vedic scripture.
Devi Prakriti Shakti in the context of Shaktis as forces unifies Kundalini, Kriya, Itcha, Para, Jnana, Mantrika Shaktis. Each is in a chakra.
Prakriti also means nature. Nature can be described as environment. It can also be used to denote the 'feminine' in sense of the 'male' being the purusha.
According to ayurveda our body is made up of three doshas kapha, pitta, vayu. The balance or imbalance of these doshas defines the prakriti of our body (besides Devi Prakriti in sahasrara chakra.)
The Vedic divinities are considered to be the human mind's interpretation of the many facets of Purusha. According to the Rigvedic Purusha sukta, ... en.wikipedia.org/wiki/Purusha
PurushaFrom Wikipedia, the free encyclopedia
In Hinduism, Purusha (Sanskrit puruṣa, पुरुष "man, Cosmic Man", in Sutra literature also called puṃs "man") is the "self" which pervades the universe. The Vedic divinities are considered to be the human mind's interpretation of the many facets of Purusha. According to the Rigvedic Purusha sukta, Purusha was dismembered by the devas -- his mind is the Moon, his eyes are the Sun, and his breath is the wind. In the Rigveda, Purusha is described as a primeval giant, not unlike the Norse Ymir[citation needed], that is sacrificed by the gods (see Purushamedha) and from whose body the world and the varnas (castes) are built. He is described as having a thousand heads and a thousand feet. He emanated Viraj, the female creative principle, from which he is reborn in turn before the world was made out of his parts. In the sacrifice of Purusha, the Vedic chants were first created. The horses and cows were born, the Brahmins were made from Purusha's mouth, the Kshatriyas from his arms, the Vaishyas from his thighs, and the Shudras from his feet.[2] The Moon was born from his spirit, the Sun from his eyes, the heavens from his skull. Indra and Agni emerged from his mouth. The parallel to Norse Ymir is often considered to reflect the myth's origin in Proto-Indo-European religion. In Samkhya, a school of Hindu philosophy, Purusha is pure consciousness. It is thought to be our true identity, to be contrasted with Prakrti, or the material world, which contains all of our organs, senses, and intellectual faculties.
The Vedic divinities are considered to be the human mind's interpretation of the many facets of Purusha. According to the Rigvedic Purusha sukta, ... en.wikipedia.org/wiki/Purusha
PurushaFrom Wikipedia, the free encyclopedia
Jump to: navigation, search
In Hinduism, Purusha (Sanskrit puruṣa, पुरुष "man, Cosmic Man", in Sutra literature also called puṃs "man") is the "self" which pervades the universe. The Vedic divinities are considered to be the human mind's interpretation of the many facets of Purusha. According to the Rigvedic Purusha sukta, Purusha was dismembered by the devas -- his mind is the Moon, his eyes are the Sun, and his breath is the wind.
In the Rigveda, Purusha is described as a primeval giant, not unlike the Norse Ymir[citation needed], that is sacrificed by the gods (see Purushamedha) and from whose body the world and the varnas (castes) are built. He is described as having a thousand heads and a thousand feet. He emanated Viraj, the female creative principle, from which he is reborn in turn before the world was made out of his parts.
In the sacrifice of Purusha, the Vedic chants were first created. The horses and cows were born, the Brahmins were made from Purusha's mouth, the Kshatriyas from his arms, the Vaishyas from his thighs, and the Shudras from his feet.[2] The Moon was born from his spirit, the Sun from his eyes, the heavens from his skull. Indra and Agni emerged from his mouth.
The parallel to Norse Ymir is often considered to reflect the myth's origin in Proto-Indo-European religion.
In Samkhya, a school of Hindu philosophy, Purusha is pure consciousness. It is thought to be our true identity, to be contrasted with Prakrti, or the material world, which contains all of our organs, senses, and intellectual faculties.
Shakti, meaning sacred force, power, or energy, is the Hindu concept or personification of the divine feminine aspect, sometimes referred to as 'The Divine ... en.wikipedia.org/wiki/Shakti Shakti, meaning sacred force, power, or energy, is the Hindu concept or personification of the divine feminine aspect, sometimes referred to as 'The Divine Mother'. Shakti represents the active, dynamic principles of feminine power. In Shaktism, Shakti is worshiped as the Supreme Being. However, in other Hindu traditions of Shaivism and Vaishnavism, Shakti embodies the active feminine energy Prakriti of Purusha, who is Vishnu in Vaishnavism or Shiva in Shaivism. Vishnu's female counterpart is called Lakshmi, with Parvati being the female half of Shiva.
In traditional Shiva-associated Shaktism
Shaktism regards Devi (lit., "the Goddess") as the Supreme Brahman itself, the "one without a second", with all other forms of divinity, female or male, considered to be merely Her diverse manifestations. In the details of its philosophy and practice, Shaktism resembles Saivism. However, Shaktas (Sanskrit: Śakta, शक्त), practitioners of Shaktism, focus most or all worship on Shakti, as the dynamic feminine aspect of the Supreme Divine. Shiva, the masculine aspect of divinity, is considered solely transcendent, and Shiva's worship is generally relegated to an auxiliary role.[1] In Vaishnavism
Like Shiva-associated Shaktism, Shakti embodies the active feminine energy and power of male supreme deity Vishnu in Vaishnavism. Vishnu's female counterpart is called Lakshmi. However, in Srivaishnavism, a school of Vaishnavism, Lakshmi or Sri does not play any particular part in the creative function of the Lord, because Prakriti is the manifest aspect of the Lord. [2] In Srivaishnavism, Vishnu alone is the great creator, although Sri is coeval with Him.[3] As Vishnu is the Father who stands for absolute justice, Sri is the Mother of the universe and is considered to be important element in the redemption of mankind, and is the interceder with Vishnu on behalf of spiritual seekers.[4] In Smarta Advaita tradition
In the Smarta Advaita sect of Hinduism, Shakti is considered to be one of five equal bonafide personal forms of God in the panchadeva system advocated by Adi Shankara. [5] Evolution
David Kinsley believes that the concept of "Shakti" may be derived from Lord Indra's consort Sachi (Indrani), meaning power.[6] Indrani is part of a group of seven or eight mother goddesses called the Matrikas (Brahmani, Vaishnavi, Maheshvari, Indrani, Kumari, Varahi and Chamunda and/or Narasimhi), who are considered shaktis of major Hindu gods(Brahma, Vishnu, Shiva, Indra, Skanda, Varaha/Yama and Devi and Narasimha respectively). The Shakti goddess is also known as Amma (meaning 'mother') in south India, especially in the states of Tamil Nadu,Kerala and Andhra Pradesh. There are many temples devoted to various incarnations of the Shakti goddess in most of the villages in South India. The rural people believe that Shakti is the protector of the village, the punisher of evil people, the curer of diseases, and the one who gives welfare to the village. They celebrate Shakti Jataras with a lot of hue and great interest once a year. Some examples of incarnations are Gangamma, Aarti, Kamakshamma, Kanakadurga, Mahalakshmammma, Meeenakshamma, Poleramma and Perantalamma.
Shakti, meaning sacred force, power, or energy, is the Hindu concept or personification of the divine feminine aspect, sometimes referred to as 'The Divine ... en.wikipedia.org/wiki/Shakti
Shakti, meaning sacred force, power, or energy, is the Hindu concept or personification of the divine feminine aspect, sometimes referred to as 'The Divine Mother'. Shakti represents the active, dynamic principles of feminine power. In Shaktism, Shakti is worshiped as the Supreme Being. However, in other Hindu traditions of Shaivism and Vaishnavism, Shakti embodies the active feminine energy Prakriti of Purusha, who is Vishnu in Vaishnavism or Shiva in Shaivism. Vishnu's female counterpart is called Lakshmi, with Parvati being the female half of Shiva.
Contents[ hide]
1 In traditional Shiva-associated Shaktism
2 In Vaishnavism
3 In Smarta Advaita tradition
4 Evolution
5 Shakti Peethas
6 Adi Shakti
7 Shakti force: Devi Prakriti
8 Standard representation
9 See also
10 Further reading
11 Notes
12 External links
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In traditional Shiva-associated Shaktism
Shaktism regards Devi (lit., "the Goddess") as the Supreme Brahman itself, the "one without a second", with all other forms of divinity, female or male, considered to be merely Her diverse manifestations. In the details of its philosophy and practice, Shaktism resembles Saivism. However, Shaktas (Sanskrit: Śakta, शक्त), practitioners of Shaktism, focus most or all worship on Shakti, as the dynamic feminine aspect of the Supreme Divine. Shiva, the masculine aspect of divinity, is considered solely transcendent, and Shiva's worship is generally relegated to an auxiliary role.[1]
In Vaishnavism
Like Shiva-associated Shaktism, Shakti embodies the active feminine energy and power of male supreme deity Vishnu in Vaishnavism. Vishnu's female counterpart is called Lakshmi. However, in Srivaishnavism, a school of Vaishnavism, Lakshmi or Sri does not play any particular part in the creative function of the Lord, because Prakriti is the manifest aspect of the Lord. [2] In Srivaishnavism, Vishnu alone is the great creator, although Sri is coeval with Him.[3] As Vishnu is the Father who stands for absolute justice, Sri is the Mother of the universe and is considered to be important element in the redemption of mankind, and is the interceder with Vishnu on behalf of spiritual seekers.[4]
In Smarta Advaita tradition
In the Smarta Advaita sect of Hinduism, Shakti is considered to be one of five equal bonafide personal forms of God in the panchadeva system advocated by Adi Shankara. [5]
Evolution
David Kinsley believes that the concept of "Shakti" may be derived from Lord Indra's consort Sachi (Indrani), meaning power.[6] Indrani is part of a group of seven or eight mother goddesses called the Matrikas (Brahmani, Vaishnavi, Maheshvari, Indrani, Kumari, Varahi and Chamunda and/or Narasimhi), who are considered shaktis of major Hindu gods(Brahma, Vishnu, Shiva, Indra, Skanda, Varaha/Yama and Devi and Narasimha respectively).
The Shakti goddess is also known as Amma (meaning 'mother') in south India, especially in the states of Tamil Nadu,Kerala and Andhra Pradesh. There are many temples devoted to various incarnations of the Shakti goddess in most of the villages in South India. The rural people believe that Shakti is the protector of the village, the punisher of evil people, the curer of diseases, and the one who gives welfare to the village. They celebrate Shakti Jataras with a lot of hue and great interest once a year. Some examples of incarnations are Gangamma, Aarti, Kamakshamma, Kanakadurga, Mahalakshmammma, Meeenakshamma, Poleramma and Perantalamma.
Kundalini is considered a part of the subtle body along with chakras (energy centres) and nadis (channels). The overall concept has many points in common ... en.wikipedia.org/wiki/Kundalini Kundalini
From Wikipedia, the free encyclopedia
Kundalini (kuṇḍalinī कुण्डलिनी) Sanskrit, literally "coiled". In Indian yoga, a "corporeal energy"[1] - an unconscious, instinctive or libidinal force or Shakti, envisioned either as a goddess or else as a sleeping serpent coiled at the base of the spine,[2][3][4] hence a number of English renderings of the term such as 'serpent power'. Kundalini is considered a part of the subtle body along with chakras (energy centres) and nadis (channels). The overall concept has many points in common with Chinese acupuncture. Yoga and Tantra propose that this energy may be "awakened" by such means as austerities, breath and other physical exercises, visualization and chanting. It may then rise up a subtle channel at the spine (called Sushumna) to the head, bringing psychological illumination. Each chakra is said to contain special characteristics.[5] Yogis tend to attempt this alone, Tantrics in couples, both usually under the instruction of a guru. When Kundalini Shakti is conceived as a goddess, then, when it rises to the head, it unites itself with the Supreme Being (Lord Shiva). The aspirant becomes engrossed in deep meditation and infinite bliss.[6][7]
[edit] Indian sources
A number of models of this esoteric subtle anatomy occur in the class of texts known as Āgamas or Tantras, a large body of scriptures, rejected by many orthodox brahmins.[8] In early texts there are various systems of chakras and nadis, with varying connections between them. Over time a system of six or seven chakras up the spine was adopted by most schools. This particular system, which may have originated in about the 11th century AD, rapidly became widely popular.[9] This is the conventional arrangement cited by Monier-Williams, where the chakras are defined as "6 in number, one above the other".[10] The most famous of the Yoga Upanishads, the Yogatattva, mentions four kinds of yoga, one of which, laya-yoga, involves Kundalini.[11] Another source text for the concept is the Hatha Yoga Pradipika written by Swami Svatmarama (English translation, 1992) somewhere between the twelfth and fifteenth centuries.[12][citation needed] [edit] Western interpretation
Sir John Woodroffe (pen name Arthur Avalon) was one of the first to bring the notion of Kundalini to the West. A High Court Judge in Calcutta, he became interested in Shaktism and Hindu Tantra. His translation of and commentary on two key texts was published as The Serpent Power. Woodroffe rendered Kundalini as "Serpent Power". Western awareness of the idea of Kundalini was strengthened by the Theosophical Society and the interest of the psychoanalyst Carl Jung (1875-1961)[2]. "Jung's seminar on Kundalini yoga, presented to the Psychological Club in Zurich in 1932, has been widely regarded as a milestone in the psychological understanding of Eastern thought. Kundalini yoga presented Jung with a model for the development of higher consciousness, and he interpreted its symbols in terms of the process of individuation".[13] In the early '30s two Italian scholars, Tommaso Palamidessi and Julius Evola, published several books with the intent of re-interpreting alchemy with reference to yoga.[14] Those works had an impact on modern interpretations of Alchemy as a mystical science. In those works, Kundalini is called an Igneous Power or Serpentine Fire. Another popularizer of the concept of Kundalini among Western readers was Gopi Krishna. His autobiography is entitled Kundalini—The Evolutionary Energy in Man.[15] According to June McDaniel, his writings have influenced Western interest in kundalini yoga.[16] Swami Sivananda produced an English language manual of Kundalini Yoga methods. Other well-known spiritual teachers who have made use of the idea of kundalini include Osho, George Gurdjieff, Paramahansa Yogananda, Rudi (Swami Rudrananda), Yogi Bhajan and Nirmala Srivastava. Kundalini references may commonly be found at present in a wide variety of derivative "New Age" presentations. Stuart Sovatsky warns that the popularization of the term within new religious movements has not always contributed to a mature understanding of the concept.[17] Recently, there has been a growing interest within the medical community to study the physiological effects of meditation, and some of these studies have applied the discipline of Kundalini Yoga to their clinical settings.[18][19] Their findings are not all positive. Researchers in the fields of Humanistic psychology,[20] Transpersonal psychology,[21] and Near-death studies[22][23] describe a complex pattern of sensory, motor, mental and affective symptoms associated with the concept of Kundalini, sometimes called the Kundalini Syndrome.[24] Lukoff, Lu & Turner[25][citation needed] notes that a number of psychological difficulties might be associated with Asian spiritual practices, and that Asian traditions recognize a number of pitfalls associated with intensive meditation practice. Transpersonal literature[26] also notes that kundalini practice is not without dangers. Anxiety, dissociation, depersonalization, altered perceptions, agitation, and muscular tension have been observed in western meditation practitioners[27] and psychological literature is now addressing the occurrence of meditation-related problems in Western contemplative life.[28][29] Some modern experimental research [30]seeks to establish links between Kundalini practice and the ideas of Wilhelm Reich and his followers. [edit] See also
Kundalini is considered a part of the subtle body along with chakras (energy centres) and nadis (channels). The overall concept has many points in common ... en.wikipedia.org/wiki/Kundalini
Kundalini From Wikipedia, the free encyclopedia
Jump to: navigation, search
The references used in this article may be clearer with a different or consistent style of citation, footnoting, or external linking.
This article cites its sources but does not provide page references.
You can improve this article by introducing citations that are more precise. Kundalini (kuṇḍalinī कुण्डलिनी) Sanskrit, literally "coiled". In Indian yoga, a "corporeal energy"[1] - an unconscious, instinctive or libidinal force or Shakti, envisioned either as a goddess or else as a sleeping serpent coiled at the base of the spine,[2][3][4] hence a number of English renderings of the term such as 'serpent power'. Kundalini is considered a part of the subtle body along with chakras (energy centres) and nadis (channels). The overall concept has many points in common with Chinese acupuncture.
Yoga and Tantra propose that this energy may be "awakened" by such means as austerities, breath and other physical exercises, visualization and chanting. It may then rise up a subtle channel at the spine (called Sushumna) to the head, bringing psychological illumination. Each chakra is said to contain special characteristics.[5] Yogis tend to attempt this alone, Tantrics in couples, both usually under the instruction of a guru.
When Kundalini Shakti is conceived as a goddess, then, when it rises to the head, it unites itself with the Supreme Being (Lord Shiva). The aspirant becomes engrossed in deep meditation and infinite bliss.[6][7]
Contents[hide]
1 Indian sources
2 Western interpretation
3 See also
4 Notes
5 References
6 Further reading
7 External links
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[edit] Indian sources A number of models of this esoteric subtle anatomy occur in the class of texts known as Āgamas or Tantras, a large body of scriptures, rejected by many orthodox brahmins.[8] In early texts there are various systems of chakras and nadis, with varying connections between them. Over time a system of six or seven chakras up the spine was adopted by most schools. This particular system, which may have originated in about the 11th century AD, rapidly became widely popular.[9] This is the conventional arrangement cited by Monier-Williams, where the chakras are defined as "6 in number, one above the other".[10]
The most famous of the Yoga Upanishads, the Yogatattva, mentions four kinds of yoga, one of which, laya-yoga, involves Kundalini.[11] Another source text for the concept is the Hatha Yoga Pradipika written by Swami Svatmarama (English translation, 1992) somewhere between the twelfth and fifteenth centuries.[12][citation needed]
[edit] Western interpretation Sir John Woodroffe (pen name Arthur Avalon) was one of the first to bring the notion of Kundalini to the West. A High Court Judge in Calcutta, he became interested in Shaktism and Hindu Tantra. His translation of and commentary on two key texts was published as The Serpent Power. Woodroffe rendered Kundalini as "Serpent Power".
Western awareness of the idea of Kundalini was strengthened by the Theosophical Society and the interest of the psychoanalyst Carl Jung (1875-1961)[2]. "Jung's seminar on Kundalini yoga, presented to the Psychological Club in Zurich in 1932, has been widely regarded as a milestone in the psychological understanding of Eastern thought. Kundalini yoga presented Jung with a model for the development of higher consciousness, and he interpreted its symbols in terms of the process of individuation".[13]
In the early '30s two Italian scholars, Tommaso Palamidessi and Julius Evola, published several books with the intent of re-interpreting alchemy with reference to yoga.[14] Those works had an impact on modern interpretations of Alchemy as a mystical science. In those works, Kundalini is called an Igneous Power or Serpentine Fire.
Another popularizer of the concept of Kundalini among Western readers was Gopi Krishna. His autobiography is entitled Kundalini—The Evolutionary Energy in Man.[15] According to June McDaniel, his writings have influenced Western interest in kundalini yoga.[16] Swami Sivananda produced an English language manual of Kundalini Yoga methods. Other well-known spiritual teachers who have made use of the idea of kundalini include Osho, George Gurdjieff, Paramahansa Yogananda, Rudi (Swami Rudrananda), Yogi Bhajan and Nirmala Srivastava.
Kundalini references may commonly be found at present in a wide variety of derivative "New Age" presentations. Stuart Sovatsky warns that the popularization of the term within new religious movements has not always contributed to a mature understanding of the concept.[17]
Recently, there has been a growing interest within the medical community to study the physiological effects of meditation, and some of these studies have applied the discipline of Kundalini Yoga to their clinical settings.[18][19] Their findings are not all positive. Researchers in the fields of Humanistic psychology,[20] Transpersonal psychology,[21] and Near-death studies[22][23] describe a complex pattern of sensory, motor, mental and affective symptoms associated with the concept of Kundalini, sometimes called the Kundalini Syndrome.[24]
Lukoff, Lu & Turner[25][citation needed] notes that a number of psychological difficulties might be associated with Asian spiritual practices, and that Asian traditions recognize a number of pitfalls associated with intensive meditation practice. Transpersonal literature[26] also notes that kundalini practice is not without dangers. Anxiety, dissociation, depersonalization, altered perceptions, agitation, and muscular tension have been observed in western meditation practitioners[27] and psychological literature is now addressing the occurrence of meditation-related problems in Western contemplative life.[28][29]
Some modern experimental research [30]seeks to establish links between Kundalini practice and the ideas of Wilhelm Reich and his followers.
[edit] See also Kaula
Kundalini Yoga
Prana
Qi
Qigong
Samādhi
Pranotthana
Shaktipat
Taoist sexual practices
Tummo
Turiya
Peak experience
Prana is a central concept in Ayurveda and Yoga where it is believed to flow through a network of fine subtle channels called nadis. ... en.wikipedia.org/wiki/Prana rana From Wikipedia, the free encyclopedia
Prana (प्राण, IAST: prāṇa) is the Sanskrit for "breath" (from the root prā "to fill", cognate to Latin plenus "full"). It is one of the five organs of vitality or sensation, viz. prana "breath", vac "speech", caksus "sight", shrotra "hearing", and manas "thought" (nose, mouth, eyes, ears and mind; ChUp. 2.7.1). In Vedantic philosophy, it is the notion of a vital, life-sustaining force of living beings and vital energy, comparable to the Chinese notion of Qi. Prana is a central concept in Ayurveda and Yoga where it is believed to flow through a network of fine subtle channels called nadis. The Pranamaya-kosha is one of the five Koshas or "sheaths" of the Atman Prana was first expounded in the Upanishads, where it is part of the worldly, physical realm, sustaining the body and the mother of thought and thus also of the mind. Prana suffuses all living form but is not itself the Atma or individual soul. In the Ayurveda, the Sun and sunshine are held to be a source of Prana.
In Yoga, the three main channels of prana are the Ida, the Pingala and the Sushumna. Ida relates to the left side of the body, terminating at the left nostril and pingala to the right side of the body, terminating at the right nostril. In some practices, alternate nostril breathing balances the prana that flows within the body. When prana enters a period of uplifted, intensified activity, the Yogic tradition refers to it as Pranotthana.[1] [edit] The Five PranasIn Ayurveda, the Prana is further classified into subcategories, referred to as pranas. According to Hindu philosophy these are the vital principles of basic energy and subtle faculties of an individual that sustain physiological processes. There are five pranas or vital currents in the Hindu system:[2]
Pranayama is the practice in which the control of prana is achieved (initially) from the control of one's breathing. According to Yogic philosophy the breath, or air, is merely a gateway to the world of prana and its manifestation in the body. In yoga, pranayama techniques are used to control the movement of these vital energies within the body, which is said to lead to an increase in vitality in the practitioner. The practice of these techniques is not trivial, and Kason (2000)[3] mentions circumstances where pranayama techniques might disrupt the balance of a person's life. [edit] See also [edit] References
Retrieved from "http://en.wikipedia.org/wiki/Prana"
Prana is a central concept in Ayurveda and Yoga where it is believed to flow through a network of fine subtle channels called nadis. ... en.wikipedia.org/wiki/Prana
Prana From Wikipedia, the free encyclopedia
Jump to: navigation, search
Prana (प्राण, IAST: prāṇa) is the Sanskrit for "breath" (from the root prā "to fill", cognate to Latin plenus "full"). It is one of the five organs of vitality or sensation, viz. prana "breath", vac "speech", caksus "sight", shrotra "hearing", and manas "thought" (nose, mouth, eyes, ears and mind; ChUp. 2.7.1).
In Vedantic philosophy, it is the notion of a vital, life-sustaining force of living beings and vital energy, comparable to the Chinese notion of Qi. Prana is a central concept in Ayurveda and Yoga where it is believed to flow through a network of fine subtle channels called nadis. The Pranamaya-kosha is one of the five Koshas or "sheaths" of the Atman
Prana was first expounded in the Upanishads, where it is part of the worldly, physical realm, sustaining the body and the mother of thought and thus also of the mind. Prana suffuses all living form but is not itself the Atma or individual soul. In the Ayurveda, the Sun and sunshine are held to be a source of Prana.
Contents[hide]
1 Nadis
2 The Five Pranas
3 Pranayama
4 See also
5 References
6 External links
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[edit] Nadis Further information: Nadi (yoga)
In Yoga, the three main channels of prana are the Ida, the Pingala and the Sushumna. Ida relates to the left side of the body, terminating at the left nostril and pingala to the right side of the body, terminating at the right nostril. In some practices, alternate nostril breathing balances the prana that flows within the body. When prana enters a period of uplifted, intensified activity, the Yogic tradition refers to it as Pranotthana.[1]
[edit] The Five Pranas In Ayurveda, the Prana is further classified into subcategories, referred to as pranas. According to Hindu philosophy these are the vital principles of basic energy and subtle faculties of an individual that sustain physiological processes. There are five pranas or vital currents in the Hindu system:[2]
Prana : Responsible for the beating of the heart and breathing. Prana enters the body through the breath and is sent to every cell through the circulatory system.
Apana : Responsible for the elimination of waste products from the body through the lungs and excretory systems.
Udana : Responsible for producing sounds through the vocal apparatus, as in speaking, singing, laughing, and crying. Also it represents the conscious energy required to produce the vocal sounds corresponding to the intent of the being. Hence Samyama on udana gives the higher centers total control over the body.
Samana : Responsible for the digestion of food and cell metabolism (ie. the repair and manufacture of new cells and growth). Samana also includes the heat regulating processes of the body. Auras are projections of this current. By meditational practices one can see auras of light around every being. Yogis who do special practise on samana can produce a blazing aura at will.
Vyana : Responsible for the expansion and contraction processes of the body, eg. the voluntary muscular system.
[edit] Pranayama Pranayama is the practice in which the control of prana is achieved (initially) from the control of one's breathing. According to Yogic philosophy the breath, or air, is merely a gateway to the world of prana and its manifestation in the body. In yoga, pranayama techniques are used to control the movement of these vital energies within the body, which is said to lead to an increase in vitality in the practitioner. The practice of these techniques is not trivial, and Kason (2000)[3] mentions circumstances where pranayama techniques might disrupt the balance of a person's life.
[edit] See also Vitalism
Lung_(Tibetan_Buddhism)
Energy (esotericism)
Shakti
Yoga Sutra
[edit] References ^ Sovatsky, Stuart (1998) Words from the Soul: Time, East/West Spirituality, and Psychotherapeutic Narrative. Suny Series in Transpersonal and Humanistic Psychology, New York: State University of New York Press.
^ Rammurti S. Mishra Yoga Sutras : The Textbook of Yoga Psychology
^ Kason, Yvonne (2000) Farther Shores: Exploring How Near-Death, Kundalini and Mystical Experiences Can Transform Ordinary Lives. Toronto: HarperCollins Publishers; Revised edition.
[edit] External links Prana - overview
Pranayama
Prana and Chakrams
Retrieved from "http://en.wikipedia.org/wiki/Prana"
Categories: Hindu philosophical concepts | Yoga | Sanskrit words and phrases | Vitalism
PRANA O PRANA BREATH NAROPA NAROPA BREATH PRANAYAMAPRANAYAMA PRANA YAMA PRANA YAMA MAYA YAMA MAYA
I THAT AM DIVINE BREATH BREATH DIVINE THAT AM I
Pranayama (Sanskrit: prāṇāyāma) is a Sanskrit word meaning "lengthening of the prana or breath". The word is composed of two Sanskrit words, Prāna, ... en.wikipedia.org/wiki/Pranayama Pranayama From Wikipedia, the free encyclopedia
Pranayama (Sanskrit: prāṇāyāma) is a Sanskrit word meaning "lengthening of the prana or breath". The word is composed of two Sanskrit words, Prāna, life force, or vital energy, particularly, the breath, and "āyāma", to lengthen or extend. It is often translated as control of the life force (prana).[1][2][3][4] When used as a technical term in yoga, it is often translated more specifically as "breath control".[5][6][7] Literal translations include A. A. Macdonell's "suspension of breath"[8] and I. K. Taimni's "regulation of breath".[9] The Qigong practice in China may also have its roots in Pranayama.[citation needed]
Pranayama (Devanagari: प्राणायाम, prāṇāyāma) is a Sanskrit compound. V. S. Apte provides fourteen different meanings for the word prana (Devanagari: प्राण, prāṇa) including these:[10]
Of these meanings, the concept of "vital air" is used by Bhattacharyya to describe the concept as used in Sanskrit texts dealing with pranayama.[12] Thomas McEvilley translates "prana" as "spirit-energy".[13] Monier-Williams defines the compound prāṇāyāma as (m., also pl.) "N. of the three 'breath-exercises' performed during Saṃdhyā (See pūraka, recaka, kumbhaka"[14][15] This technical definition refers to a particular system of breath control with three processes as explained by Bhattacharyya: pūraka (to take the breath inside), kumbhaka (to retain it), and recaka (to discharge it).[16] There are also other processes of pranayama in addition to this three-step model.[17] Macdonell gives the etymology as prāṇa + āyāma and defines it as "m. suspension of breath (sts. pl.)".[18] Apte's definition of āyāmaḥ derives it from ā + yām and provides several variant meanings for it when used in compounds. The first three meanings have to do with "length", "expansion, extension", and "stretching, extending", but in the specific case of use in the compound prāṇāyāma he defines āyāmaḥ as meaning "restrain, control, stopping".[19] An alternative etymology for the compound is cited by Ramamurti Mishra, who says that:
The word "yama" (Devanagari: याम, yāma) means "cessation"[21][22] or more generally "control" or "restraint".[23][24] [edit] Hatha and Raja Yoga VarietiesSome scholars distinguish between hatha and raja yoga varieties of pranayama, with the former variety usually prescribed for the beginner. According to Taimni, hatha yogic pranayama involves manipulation of pranic currents through breath regulation for bringing about the control of chitta-vrittis and changes in consciousness, whereas raja yogic pranayama involves the control of chitta-vrittis by consciousness directly through the will of the mind.[25] Students qualified to practice pranayama are therefore always initiated first in the techniques of hatha pranayama.[26] [edit] Bhagavad GitaPranayama is mentioned in verse 4.29 of the Bhagavat Gita.[27] [edit] Quotes
[edit] Yoga Sutras of Patanjali Pranayama is the fourth 'limb' of the eight limbs of Raja Yoga mentioned in verse 2.29 in the Yoga Sutras of Patanjali.[30][31] Patanjali discusses his specific approach to pranayama in verses 2.49 through 2.51, and devotes verses 2.52 and 2.53 to explaining the benefits of the practice.[32] Patanjali refers to pranayama as the control of life force that comes as a result of practicing the various breathing techniques, rather than the numerous breathing exercises themselves.[33][29] Many yoga teachers advise that pranayama should be part of an overall practice that includes the other limbs of Patanjali's Raja Yoga teachings, especially Yama, Niyama, and Asana.[34] [edit] Medical claimsSeveral researchers have reported that pranayama techniques are beneficial in treating a range of stress related disorders,[35] improving autonomic functions,[36] relieving symptoms of asthma,[37][38] and reducing signs of oxidative stress.[39][40] Practitioners report that the practice of pranayama develops a steady mind, strong will-power, and sound judgement,[34] and also claim that sustained pranayama practice extends life and enhances perception.[41] [edit] CautionsMany yoga teachers recommend that pranayama techniques be practiced with care, and that advanced pranayama techniques should be practiced under the guidance of a teacher. These cautions are also made in traditional Hindu literature.[42][43] [44] [edit] See also
Pranayama (Sanskrit: prāṇāyāma) is a Sanskrit word meaning "lengthening of the prana or breath". The word is composed of two Sanskrit words, Prāna, ... en.wikipedia.org/wiki/Pranayama
Pranayama From Wikipedia, the free encyclopedia
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This article contains Indic text.
Without rendering support, you may see question marks, boxes or other symbols instead of Indic characters; or irregular vowel positioning and a lack of conjuncts. Pranayama (Sanskrit: prāṇāyāma) is a Sanskrit word meaning "lengthening of the prana or breath". The word is composed of two Sanskrit words, Prāna, life force, or vital energy, particularly, the breath, and "āyāma", to lengthen or extend. It is often translated as control of the life force (prana).[1][2][3][4] When used as a technical term in yoga, it is often translated more specifically as "breath control".[5][6][7] Literal translations include A. A. Macdonell's "suspension of breath"[8] and I. K. Taimni's "regulation of breath".[9]
The Qigong practice in China may also have its roots in Pranayama.[citation needed]
Contents[hide]
1 Etymology 1.1 Hatha and Raja Yoga Varieties
1.2 Bhagavad Gita
1.3 Quotes
2 Yoga Sutras of Patanjali
3 Medical claims
4 Cautions
5 See also
6 Notes 6.1 References
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[edit] Etymology Pranayama (Devanagari: प्राणायाम, prāṇāyāma) is a Sanskrit compound.
V. S. Apte provides fourteen different meanings for the word prana (Devanagari: प्राण, prāṇa) including these:[10]
Breath, respiration
The breath of life, vital air, principle of life (usually plural in this sense, there being five such vital airs generally assumed, but three, six, seven, nine, and even ten are also spoken of)[11]
Energy, vigor
The spirit or soul
Of these meanings, the concept of "vital air" is used by Bhattacharyya to describe the concept as used in Sanskrit texts dealing with pranayama.[12] Thomas McEvilley translates "prana" as "spirit-energy".[13]
Monier-Williams defines the compound prāṇāyāma as (m., also pl.) "N. of the three 'breath-exercises' performed during Saṃdhyā (See pūraka, recaka, kumbhaka"[14][15] This technical definition refers to a particular system of breath control with three processes as explained by Bhattacharyya: pūraka (to take the breath inside), kumbhaka (to retain it), and recaka (to discharge it).[16] There are also other processes of pranayama in addition to this three-step model.[17]
Macdonell gives the etymology as prāṇa + āyāma and defines it as "m. suspension of breath (sts. pl.)".[18]
Apte's definition of āyāmaḥ derives it from ā + yām and provides several variant meanings for it when used in compounds. The first three meanings have to do with "length", "expansion, extension", and "stretching, extending", but in the specific case of use in the compound prāṇāyāma he defines āyāmaḥ as meaning "restrain, control, stopping".[19]
An alternative etymology for the compound is cited by Ramamurti Mishra, who says that:
"Expansion of individual energy into cosmic energy is called prāṇāyāma (prāṇa, energy + ayām, expansion)."[20]
The word "yama" (Devanagari: याम, yāma) means "cessation"[21][22] or more generally "control" or "restraint".[23][24]
[edit] Hatha and Raja Yoga Varieties Some scholars distinguish between hatha and raja yoga varieties of pranayama, with the former variety usually prescribed for the beginner. According to Taimni, hatha yogic pranayama involves manipulation of pranic currents through breath regulation for bringing about the control of chitta-vrittis and changes in consciousness, whereas raja yogic pranayama involves the control of chitta-vrittis by consciousness directly through the will of the mind.[25] Students qualified to practice pranayama are therefore always initiated first in the techniques of hatha pranayama.[26]
[edit] Bhagavad Gita Pranayama is mentioned in verse 4.29 of the Bhagavat Gita.[27]
[edit] Quotes Prana is a subtle invisible force. It is the life-force that pervades the body. It is the factor that connects the body and the mind, because it is connected on one side with the body and on the other side with the mind. It is the connecting link between the body and the mind. The body and the mind have no direct connection. They are connected through Prana only and this Prana is different from the breathing you have in your physical body.
– Swami Chidananda Saraswati[28]
Yoga works primarily with the energy in the body, through the science of pranayama, or energy-control. Prana means also ‘breath.’ Yoga teaches how, through breath-control, to still the mind and attain higher states of awareness. The higher teachings of yoga take one beyond techniques, and show the yogi, or yoga practitioner, how to direct his concentration in such a way as not only to harmonize human with divine consciousness, but to merge his consciousness in the Infinite.
– Paramahansa Yogananda[29]
[edit] Yoga Sutras of Patanjali Pranayama is the fourth 'limb' of the eight limbs of Raja Yoga mentioned in verse 2.29 in the Yoga Sutras of Patanjali.[30][31] Patanjali discusses his specific approach to pranayama in verses 2.49 through 2.51, and devotes verses 2.52 and 2.53 to explaining the benefits of the practice.[32] Patanjali refers to pranayama as the control of life force that comes as a result of practicing the various breathing techniques, rather than the numerous breathing exercises themselves.[33][29]
Many yoga teachers advise that pranayama should be part of an overall practice that includes the other limbs of Patanjali's Raja Yoga teachings, especially Yama, Niyama, and Asana.[34]
[edit] Medical claims Several researchers have reported that pranayama techniques are beneficial in treating a range of stress related disorders,[35] improving autonomic functions,[36] relieving symptoms of asthma,[37][38] and reducing signs of oxidative stress.[39][40] Practitioners report that the practice of pranayama develops a steady mind, strong will-power, and sound judgement,[34] and also claim that sustained pranayama practice extends life and enhances perception.[41]
[edit] Cautions Many yoga teachers recommend that pranayama techniques be practiced with care, and that advanced pranayama techniques should be practiced under the guidance of a teacher. These cautions are also made in traditional Hindu literature.[42][43] [44]
[edit] See also Ujjayi breath
Anuloma pranayama
Hatha yoga
Raja yoga
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